The Georgetown art studio that aims to phase out the age-out – KING 5 Evening

The Georgetown art studio that aims to phase out the age-out – KING 5 Evening


I I AM I AM HERE I AM HERE AT I AM HERE AT — I AM HERE AT — STUDIOS. I AM HERE AT — STUDIOS.
LIFE I AM HERE AT — STUDIOS.
LIFE MAY I AM HERE AT — STUDIOS.
LIFE MAY NOT I AM HERE AT — STUDIOS.
LIFE MAY NOT START I AM HERE AT — STUDIOS.
LIFE MAY NOT START OUT I AM HERE AT — STUDIOS.
LIFE MAY NOT START OUT 50 I AM HERE AT — STUDIOS.
LIFE MAY NOT START OUT 50 BUT LIFE MAY NOT START OUT 50 BUT LIFE MAY NOT START OUT 50 BUT
IT LIFE MAY NOT START OUT 50 BUT
IT SURE LIFE MAY NOT START OUT 50 BUT
IT SURE DOES LIFE MAY NOT START OUT 50 BUT
IT SURE DOES NOT LIFE MAY NOT START OUT 50 BUT
IT SURE DOES NOT HAVE LIFE MAY NOT START OUT 50 BUT
IT SURE DOES NOT HAVE TO LIFE MAY NOT START OUT 50 BUT
IT SURE DOES NOT HAVE TO END IT SURE DOES NOT HAVE TO END IT SURE DOES NOT HAVE TO END
THERE, IT SURE DOES NOT HAVE TO END
THERE, EITHER. THERE, EITHER. THERE, EITHER.
THAT THERE, EITHER.
THAT IS THERE, EITHER.
THAT IS THE THERE, EITHER.
THAT IS THE MESSAGE THERE, EITHER.
THAT IS THE MESSAGE OF THERE, EITHER.
THAT IS THE MESSAGE OF FOGUE THAT IS THE MESSAGE OF FOGUE THAT IS THE MESSAGE OF FOGUE
STUDIO. STUDIO. STUDIO.
A STUDIO.
A 6000 STUDIO.
A 6000 SQUARE-FOOT STUDIO.
A 6000 SQUARE-FOOT CREATIVE A 6000 SQUARE-FOOT CREATIVE A 6000 SQUARE-FOOT CREATIVE
SPACE A 6000 SQUARE-FOOT CREATIVE
SPACE FOR A 6000 SQUARE-FOOT CREATIVE
SPACE FOR ARTISTS A 6000 SQUARE-FOOT CREATIVE
SPACE FOR ARTISTS WHO A 6000 SQUARE-FOOT CREATIVE
SPACE FOR ARTISTS WHO HAVE SPACE FOR ARTISTS WHO HAVE SPACE FOR ARTISTS WHO HAVE
SUCCESSFULLY SPACE FOR ARTISTS WHO HAVE
SUCCESSFULLY CROSSED SPACE FOR ARTISTS WHO HAVE
SUCCESSFULLY CROSSED THE SPACE FOR ARTISTS WHO HAVE
SUCCESSFULLY CROSSED THE HALF- SUCCESSFULLY CROSSED THE HALF- SUCCESSFULLY CROSSED THE HALF-
CENTURY SUCCESSFULLY CROSSED THE HALF-
CENTURY MARK. CENTURY MARK. CENTURY MARK.
>>CENTURY MARK.
>>IT CENTURY MARK.
>>IT GIVES CENTURY MARK.
>>IT GIVES ME CENTURY MARK.
>>IT GIVES ME A CENTURY MARK.
>>IT GIVES ME A PLACE CENTURY MARK.
>>IT GIVES ME A PLACE TO CENTURY MARK.
>>IT GIVES ME A PLACE TO FOCUS.>>IT GIVES ME A PLACE TO FOCUS.>>IT GIVES ME A PLACE TO FOCUS.
I>>IT GIVES ME A PLACE TO FOCUS.
I WORK>>IT GIVES ME A PLACE TO FOCUS.
I WORK WITH>>IT GIVES ME A PLACE TO FOCUS.
I WORK WITH SKULLS>>IT GIVES ME A PLACE TO FOCUS.
I WORK WITH SKULLS WHICH>>IT GIVES ME A PLACE TO FOCUS.
I WORK WITH SKULLS WHICH SOME I WORK WITH SKULLS WHICH SOME I WORK WITH SKULLS WHICH SOME
PEOPLE I WORK WITH SKULLS WHICH SOME
PEOPLE FIND I WORK WITH SKULLS WHICH SOME
PEOPLE FIND CREEPY I WORK WITH SKULLS WHICH SOME
PEOPLE FIND CREEPY AND I WORK WITH SKULLS WHICH SOME
PEOPLE FIND CREEPY AND THAT I WORK WITH SKULLS WHICH SOME
PEOPLE FIND CREEPY AND THAT IS PEOPLE FIND CREEPY AND THAT IS PEOPLE FIND CREEPY AND THAT IS
FINE. FINE. FINE.
>>FINE.
>>PATTY FINE.
>>PATTY CURTIS FINE.
>>PATTY CURTIS IS FINE.
>>PATTY CURTIS IS THE FINE.
>>PATTY CURTIS IS THE FOUNDER.>>PATTY CURTIS IS THE FOUNDER.>>PATTY CURTIS IS THE FOUNDER.
>>>>PATTY CURTIS IS THE FOUNDER.
>>I>>PATTY CURTIS IS THE FOUNDER.
>>I LOST>>PATTY CURTIS IS THE FOUNDER.
>>I LOST MY>>PATTY CURTIS IS THE FOUNDER.
>>I LOST MY JOB>>PATTY CURTIS IS THE FOUNDER.
>>I LOST MY JOB AT>>PATTY CURTIS IS THE FOUNDER.
>>I LOST MY JOB AT 53>>PATTY CURTIS IS THE FOUNDER.
>>I LOST MY JOB AT 53 A>>PATTY CURTIS IS THE FOUNDER.
>>I LOST MY JOB AT 53 A LOT>>PATTY CURTIS IS THE FOUNDER.
>>I LOST MY JOB AT 53 A LOT OF>>I LOST MY JOB AT 53 A LOT OF>>I LOST MY JOB AT 53 A LOT OF
PEOPLE>>I LOST MY JOB AT 53 A LOT OF
PEOPLE IN>>I LOST MY JOB AT 53 A LOT OF
PEOPLE IN MY>>I LOST MY JOB AT 53 A LOT OF
PEOPLE IN MY COMPANY>>I LOST MY JOB AT 53 A LOT OF
PEOPLE IN MY COMPANY GOT>>I LOST MY JOB AT 53 A LOT OF
PEOPLE IN MY COMPANY GOT LET>>I LOST MY JOB AT 53 A LOT OF
PEOPLE IN MY COMPANY GOT LET GO PEOPLE IN MY COMPANY GOT LET GO PEOPLE IN MY COMPANY GOT LET GO
BECAUSE PEOPLE IN MY COMPANY GOT LET GO
BECAUSE WE PEOPLE IN MY COMPANY GOT LET GO
BECAUSE WE AGED PEOPLE IN MY COMPANY GOT LET GO
BECAUSE WE AGED OUT. BECAUSE WE AGED OUT. BECAUSE WE AGED OUT.
>>BECAUSE WE AGED OUT.
>>Reporter: BECAUSE WE AGED OUT.
>>Reporter: SO BECAUSE WE AGED OUT.
>>Reporter: SO SHE BECAUSE WE AGED OUT.
>>Reporter: SO SHE SET BECAUSE WE AGED OUT.
>>Reporter: SO SHE SET OUT BECAUSE WE AGED OUT.
>>Reporter: SO SHE SET OUT TO>>Reporter: SO SHE SET OUT TO>>Reporter: SO SHE SET OUT TO
PHASE>>Reporter: SO SHE SET OUT TO
PHASE OUT>>Reporter: SO SHE SET OUT TO
PHASE OUT BE>>Reporter: SO SHE SET OUT TO
PHASE OUT BE A>>Reporter: SO SHE SET OUT TO
PHASE OUT BE A JOB. PHASE OUT BE A JOB. PHASE OUT BE A JOB.
>>PHASE OUT BE A JOB.
>>I PHASE OUT BE A JOB.
>>I WANTED PHASE OUT BE A JOB.
>>I WANTED TO PHASE OUT BE A JOB.
>>I WANTED TO DO PHASE OUT BE A JOB.
>>I WANTED TO DO SOMETHING PHASE OUT BE A JOB.
>>I WANTED TO DO SOMETHING FOR>>I WANTED TO DO SOMETHING FOR>>I WANTED TO DO SOMETHING FOR
PEOPLE>>I WANTED TO DO SOMETHING FOR
PEOPLE OVER>>I WANTED TO DO SOMETHING FOR
PEOPLE OVER 50>>I WANTED TO DO SOMETHING FOR
PEOPLE OVER 50 TO>>I WANTED TO DO SOMETHING FOR
PEOPLE OVER 50 TO MAKE>>I WANTED TO DO SOMETHING FOR
PEOPLE OVER 50 TO MAKE THEM PEOPLE OVER 50 TO MAKE THEM PEOPLE OVER 50 TO MAKE THEM
FEEL PEOPLE OVER 50 TO MAKE THEM
FEEL RELEVANT PEOPLE OVER 50 TO MAKE THEM
FEEL RELEVANT AND PEOPLE OVER 50 TO MAKE THEM
FEEL RELEVANT AND COOL. FEEL RELEVANT AND COOL. FEEL RELEVANT AND COOL.
>>FEEL RELEVANT AND COOL.
>>Reporter: FEEL RELEVANT AND COOL.
>>Reporter: FOGUE FEEL RELEVANT AND COOL.
>>Reporter: FOGUE HAS FEEL RELEVANT AND COOL.
>>Reporter: FOGUE HAS A>>Reporter: FOGUE HAS A>>Reporter: FOGUE HAS A
COLLECTION>>Reporter: FOGUE HAS A
COLLECTION OF>>Reporter: FOGUE HAS A
COLLECTION OF OVER>>Reporter: FOGUE HAS A
COLLECTION OF OVER 50>>Reporter: FOGUE HAS A
COLLECTION OF OVER 50 ARTISTS COLLECTION OF OVER 50 ARTISTS COLLECTION OF OVER 50 ARTISTS
AND COLLECTION OF OVER 50 ARTISTS
AND MUSICIANS. AND MUSICIANS. AND MUSICIANS.
ALL AND MUSICIANS.
ALL OVER AND MUSICIANS.
ALL OVER THE AND MUSICIANS.
ALL OVER THE AGE AND MUSICIANS.
ALL OVER THE AGE OF AND MUSICIANS.
ALL OVER THE AGE OF 50. ALL OVER THE AGE OF 50. ALL OVER THE AGE OF 50.
>>ALL OVER THE AGE OF 50.
>>WE ALL OVER THE AGE OF 50.
>>WE TAKE ALL OVER THE AGE OF 50.
>>WE TAKE CARE ALL OVER THE AGE OF 50.
>>WE TAKE CARE OF ALL OVER THE AGE OF 50.
>>WE TAKE CARE OF EACH ALL OVER THE AGE OF 50.
>>WE TAKE CARE OF EACH OTHER,>>WE TAKE CARE OF EACH OTHER,>>WE TAKE CARE OF EACH OTHER,
NURTURE>>WE TAKE CARE OF EACH OTHER,
NURTURE EACH>>WE TAKE CARE OF EACH OTHER,
NURTURE EACH OTHER>>WE TAKE CARE OF EACH OTHER,
NURTURE EACH OTHER AND>>WE TAKE CARE OF EACH OTHER,
NURTURE EACH OTHER AND BUILD NURTURE EACH OTHER AND BUILD NURTURE EACH OTHER AND BUILD
EACH NURTURE EACH OTHER AND BUILD
EACH OTHER NURTURE EACH OTHER AND BUILD
EACH OTHER UP. EACH OTHER UP. EACH OTHER UP.
>>EACH OTHER UP.
>>THIS EACH OTHER UP.
>>THIS IS EACH OTHER UP.
>>THIS IS A EACH OTHER UP.
>>THIS IS A SUPPORTIVE EACH OTHER UP.
>>THIS IS A SUPPORTIVE PLACE>>THIS IS A SUPPORTIVE PLACE>>THIS IS A SUPPORTIVE PLACE
WHERE>>THIS IS A SUPPORTIVE PLACE
WHERE I>>THIS IS A SUPPORTIVE PLACE
WHERE I CAN>>THIS IS A SUPPORTIVE PLACE
WHERE I CAN NOT>>THIS IS A SUPPORTIVE PLACE
WHERE I CAN NOT WORRY>>THIS IS A SUPPORTIVE PLACE
WHERE I CAN NOT WORRY ABOUT WHERE I CAN NOT WORRY ABOUT WHERE I CAN NOT WORRY ABOUT
ANYTHING WHERE I CAN NOT WORRY ABOUT
ANYTHING ELSE WHERE I CAN NOT WORRY ABOUT
ANYTHING ELSE AND WHERE I CAN NOT WORRY ABOUT
ANYTHING ELSE AND JUST WHERE I CAN NOT WORRY ABOUT
ANYTHING ELSE AND JUST EXPRESS ANYTHING ELSE AND JUST EXPRESS ANYTHING ELSE AND JUST EXPRESS
MYSELF. MYSELF. MYSELF.
>>MYSELF.
>>THEY MYSELF.
>>THEY WANT MYSELF.
>>THEY WANT TO MYSELF.
>>THEY WANT TO BE MYSELF.
>>THEY WANT TO BE HERE, MYSELF.
>>THEY WANT TO BE HERE, NOT>>THEY WANT TO BE HERE, NOT>>THEY WANT TO BE HERE, NOT
JUST>>THEY WANT TO BE HERE, NOT
JUST THE>>THEY WANT TO BE HERE, NOT
JUST THE ARTIST>>THEY WANT TO BE HERE, NOT
JUST THE ARTIST BUT>>THEY WANT TO BE HERE, NOT
JUST THE ARTIST BUT THE JUST THE ARTIST BUT THE JUST THE ARTIST BUT THE
CUSTOMERS, JUST THE ARTIST BUT THE
CUSTOMERS, PATRONS JUST THE ARTIST BUT THE
CUSTOMERS, PATRONS AND JUST THE ARTIST BUT THE
CUSTOMERS, PATRONS AND ART CUSTOMERS, PATRONS AND ART CUSTOMERS, PATRONS AND ART
LOVERS. LOVERS. LOVERS.
>>LOVERS.
>>WHAT LOVERS.
>>WHAT I LOVERS.
>>WHAT I REALLY LOVERS.
>>WHAT I REALLY LOVE LOVERS.
>>WHAT I REALLY LOVE ABOUT>>WHAT I REALLY LOVE ABOUT>>WHAT I REALLY LOVE ABOUT
FOGUE>>WHAT I REALLY LOVE ABOUT
FOGUE IS>>WHAT I REALLY LOVE ABOUT
FOGUE IS THAT>>WHAT I REALLY LOVE ABOUT
FOGUE IS THAT WE>>WHAT I REALLY LOVE ABOUT
FOGUE IS THAT WE ARE>>WHAT I REALLY LOVE ABOUT
FOGUE IS THAT WE ARE A FOGUE IS THAT WE ARE A FOGUE IS THAT WE ARE A
COMMUNITY. COMMUNITY. COMMUNITY.
>>COMMUNITY.
>>Reporter: COMMUNITY.
>>Reporter: FOGUE COMMUNITY.
>>Reporter: FOGUE IS COMMUNITY.
>>Reporter: FOGUE IS PROOF>>Reporter: FOGUE IS PROOF>>Reporter: FOGUE IS PROOF
THAT>>Reporter: FOGUE IS PROOF
THAT YOU>>Reporter: FOGUE IS PROOF
THAT YOU CANNOT>>Reporter: FOGUE IS PROOF
THAT YOU CANNOT PUT

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